Anton Giulio Ambrosini (1951)

"The transformation of abstract form is necessary but its foundations are not the same as those in some theory, module or in a number. And to have a little taste of this experience, why not look at Deluigi's colours which repudiate tones without being slave to chiaroscuro, marrying light with marks because capricious love is more powerful than any rule. It breaks into the irrational desire for fidelity to life and, there, with the chromatic scale in jeopardy, a dream can burst forth to repudiate each and every erudite convention: the shameless effect of oleography acquits itself well. Let not the critics hasten now to scorn."