
Solo Exhibition at the XXXIV Biennale of Venice, Italy (1968)
Luca Massimo Barbero (1989)
"For the artist, experimenting with new symbols does not mean finding a 'key' or a solution that can be repeated indefinitely, in his work nothing is dependent on an 'a - prioristic' vision, but rather on an innate symbolic rhythm that distributes itself all over the surface, on what could be described as 'an exact instinctive order.' This order derives from a method Deluigi applies to all his work and which, although always unvaried technically, always leads to different results."